The instrumagic meisterstachel
- Finest End-pin craftsmanship -
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The Meisterstachel for Cello
- Far more than just EndPins -
12 different, handcrafted and energetically very high vibrating MASTER ENDPINS, give you for the first time the possibility to enrich the characteristics of your cello with completely new qualities to give you an unprecedented
sound and playing experience. -
The Meisterstachel for Bass
- Far more than just EndPins -
12 different, handcrafted and energetically very high vibrating MASTER ENDPINS, give you for the first time the possibility to enrich the characteristics of your bass with completely new qualities to give you an unprecedented
sound and playing experience.
MEET INSTRUMAGIC.
INTERESTED HOW INSTRUMAGIC
BOOSTs UP YOUR CELLO OR BASS?
NOTHING BEATS
YOUR OWN EXPERIENCE!
So no matter where you are located in the world. If you are curious and open to discover something completely new, please don’t hesitate to contact us.
We’ll always find a way for you, to make your very own and first experience with INSTRUMAGIC.
INSTRUMAGIC is a small, fine German manufactory with very high demands in everything we do. This also applies when it comes to finding the right business partners for us.
As the focus of most business people today is unfortunately primarily on profit and not on the joy of the highest quality and passing this on to the artists, our partner network is growing very slowly.
The instrumagic resonance-CONCEPT
1. The intention.
The intention was to develop an EndPin that would free the instrument from its mechanical resonance blockages and distortions as quickly as possible and at the same time enrich the instrument with some new and very beautiful qualities.
2. the CHALLENGE.
The challange was to find materials with a very high sound velocity wich at the same time meets the mechanical and the acoustical requirements.
Function needs Physics. But Music needs Beauty. We have mastered both!
ARTISTS
Daniel müller schott
about his meisterstachel
“The EndPin not only produces more power on the sound of my “Shapiro” Goffriller cello from 1727, but also brings even more 3-dimensionality, suppleness and clarity in the tone.”